Illustration of the planned Barong mask, not yet in production
Mask Nº 04
Indonesia
Launching 2027
Launch list open

Barong

The guardian who keeps the bad spirits off the doorstep.

ᬩᬭᭀᬂ · Ba · rong

Cast by hand · Painted by you

Coming 2027 Arriving 2027. Hanuman is first. Same object, same box, same price across the collection. See Hanuman

ᬩᬭᭀᬂ · Indonesia

Good against evil, every night, and neither one is ever allowed to win.

Chapter one

Nobody wins, and that is the point

The Barong fights Rangda, the widow-witch, and the fight does not resolve. In Balinese thinking evil is not defeated, it is held in balance, and a performance that ended with a winner would be a performance that got the cosmology wrong.

He is worn by two men, one at the head and one under the back, and the head alone can weigh as much as a small child. Bells, gilt leather, mirror, and a beard that is very often real human hair, because the hair is where the village believes the power actually sits.

The dance ends with both of them still standing and the village calmer than it was. That is the purpose of the evening, and it is closer to maintenance than to theatre.

W.O.J. Nieuwenkamp, temple gate on Bali, 1910  Rijksmuseum

W.O.J. Nieuwenkamp, temple gate on Bali, 1910 · Rijksmuseum

Chapter two

Carved from the right tree, on the right day

A Barong head is cut from pule wood, and the tree is asked first. Offerings go down at the base before a single chip comes off, and if the answer reads as no, the carver finds another tree.

The work happens on days chosen from the Balinese calendar rather than days chosen by the workshop, and the carver is under restrictions the whole time. When it is finished the mask is blessed and given taksu, the spark that separates a performance that lands from one that does not.

After that it does not live in a cupboard. It lives in the temple, it is dressed, and it is fed. Villages have been known to refuse to sell one at any price, which collectors find difficult to accept.

W.O.J. Nieuwenkamp, Bali, 1908  Rijksmuseum

W.O.J. Nieuwenkamp, Bali, 1908 · Rijksmuseum

Chapter three

The kris dance, and the part tourists do not expect

In the confrontation Rangda turns the men's own daggers back on them. They stab themselves in the chest, in front of everybody, and are not cut. Trance, with a priest standing by with holy water to bring them back out of it.

You can watch a shortened version in Ubud most afternoons for the price of a ticket, and it is a real performance by real dancers. The version the village does for itself is a different thing entirely and is not on a schedule you can book.

Barong Ket, the lion, is the one most people picture. There are others: Barong Bangkal the boar, Barong Macan the tiger, Barong Landung the towering pair who walk the streets at Galungan.

Evil is not defeated. It is held.

Chapter four

So we cast him blank

Ours is the lion, in plaster, at a size that fits on a shelf rather than over two men. The carved detail is all there, the bulging eyes, the teeth, the crown, the fields where the gilt leather sits.

It is a tribute and not a consecrated object. We are clear about that, because the difference matters to the people who make the real ones.

Mask Nº 04 · Indonesia · 2027

Barong

The guardian who keeps the bad spirits off the doorstep.

01 / Cast

Poured by hand

Premium plaster, one at a time, in the house on the Siem Reap River.

02 / Blank

Finished smooth

No colour. The sculpt is the guide: raised edges catch the brush and hold it where it belongs.

03 / Painted

Gold leaf and lacquer

The real ones are gilded, mirrored and bearded. Yours is plaster, so the gold comes out of a pot and the beard is between you and your conscience.

Five pots · one brush
1

Mask per box

5

Pots of colour

What’s inside the box

Everything you need. Nothing you don’t.

One mask, five pots of colour, one real brush, a story card. Nestled in a foam tray inside a coloured box. Every mask in the collection ships the same way.

01
The mask

Cast by hand in premium plaster at the house in Siem Reap. Every carved line of the original is there in relief before a brush touches it.

02
Five pots

Water-based colour, non-toxic, off a table with a damp cloth. The five change per mask to match the tradition it comes from.

03
One brush

Real fibre, real spring. The kind you keep in the pencil pot long after the mask is finished and on a shelf.

At a glance

The original, on paper.

What the mask is in its own tradition, before we cast a copy in plaster and sent it out white.

Tradition
Barong dance, Bali
Adversary
Rangda, the widow-witch
Original material
Pule wood, gilt leather, mirror, hair
Consecration
Blessed and given taksu before use
Kept in
The village temple, not a store room
Companion rite
The kris dance and its trance
Our version
Premium plaster, hand-cast in Siem Reap
On sale
2027
Give-back
Free art classes, Siem Reap

Answers to the usual.

Yes. Water-based, non-toxic, and it comes off skin and off a table with a damp cloth. Built for a kitchen table on a Sunday.

A story card with the history and the traditional colours, so you know what you are looking at. No paint-by-numbers. The mask ships white on purpose.

Resin is cheaper to ship and it feels like a phone case. Plaster takes paint properly, keeps a sharp edge on every carved line, and has the weight that puts a thing on a shelf instead of in a drawer.

Barong arrives in 2027. We will not put a month against it until the moulds are cut and the first run is right.

Yes, and we would like that. Minimum order is one case of four, prepaid, and you can collect from the office in Siem Reap if that suits you better than freight. Full pricing and terms sit behind a trade login. Write to us with the name of the shop and we will send a code the same day.

Not yet available

Hear about it first.

Barong lands in 2027. Leave your email and you will know the day it does.

One email when it is live. Nothing else, ever.

Thank you. You are on the list.